年代順作品リスト／Chronological List of Works
c. 1867年
・「ユーモレスク・ブロードヒース」／'Humoreske Broadheath' and other mmusic for Elgar's
play
・「子どもの杖」／The Wand of youth (1907年を参照)
c.
1870年
・オルガンのためのフーガ ト短調（未完成）Fugue in G minor for organ
(unfinished).
Reporduced in The Music Student, August
1916
1872年
・歌曲「花言葉」／Song, The Language of Flowers
(作詞：James Gates Percival, 1795-1856).
被献呈者：To my sister Lucy on her
birthday.
作曲：1872年05月29日
未刊
・ピアノ曲「歌のように」／Chantant, pianoforte solo.
1874年
・Anthem,
arranged for strings with original introduction.
演奏：1874年、ウスター All
Saints' Churchにて
1876年
声楽曲／Vocal:
・／Salve
Regina.
作曲：1876年09月16日
初演：1880年06月06日、ウスター St
George's Churchにて
・／Tantum Ergo
作曲：1876年11月27日
初演：1879年06月29日、ウスター St Geroge's Churchにて
1877年
・第３指強化のための課題曲／Study for strengthening the third finger.
(1920年に書き直され、ヤッシャ・ハイフェッツに献呈)
・ヴァイオリンとピアノのための作品「思い出」／Reminiscences, for violine and pianoforte.
作曲：1877年03月16日
被献呈者：Oswin Grainger.
1878年
編曲／Arrangements:
・管弦楽編：賛美歌「神の御子は今宵しも」／Adeste
fideles arr. for orchestra.
・管楽五重奏編：ベートーヴェン、ヴァイオリン・ソナタ第4番イ短調作品23から終曲
／Beethoven, Violin
Sonata op. 23, finale, arr.for wind quintet.
・管楽五重奏編：コレルリ、クリスマス・コンチェルト／Coreli, 'Christmas' Concerto, arr. for wind
quintet
・小管弦楽編：ヘンデル、歌劇「アリオダンテ」序曲／Handel, Overture Ariodante,
Arr. for small orchestra
・'for Mr. F. G.
Pedley'編：ウェーバー、歌劇「オベロン」から「O'tis a glorius sight」
／Weber, Oberon,
'O'tis a glorius sight', arr. 'for Mr. F. G.
Pedley'.
・管弦楽編：モーツァルト、シンフォニー ト短調（旧第40番）K.550／Mozart, Symphony in G
minor
注：第1楽章と第3楽章の編曲が存在。ただし原曲は原形をとどめていない。第3楽章は同年の管楽五重奏6つのプロムナードの第5曲に転用、さらに1930年作の組曲「セヴァーン川」の第4曲
'commandery' の中間部に転用。
室内楽曲／Chamber music:
・ヴァイオリンとピアノのための幻想曲（未完成）／Fantasia for violin and pianoforte
(Unfinished).
・弦楽四重奏曲ニ短調（未完成）／String Quartet in D minor
(Unfinished).
・弦楽四重奏曲変ロ長調（未完成）String Quartet in B flat
(Unfinished).
・弦楽三重奏曲ハ長調（未完成）String Trio in C
(Unfinished).
・管楽五重奏（2つのフルート、オーボエ、クラリネット、バスーン）のためのハーモニー・ミュージック第１番「小屋」
／Harmony
Music ('Shed' ) for wind quintet (2 flutes, Oboe, clarinet, basoon),
No.1, allegro molto.
完成：1878年04月04日
被献呈者：'Professor'
Exton
・管楽五重奏のためのハーモニー・ミュージック第2番「ネリーの小屋」
／Harmony
Music ('Shed' ) for wind quintet No. 2 ('Nelly Shed', Nelly being
Helen Weaver)
被献呈者：W. Leicester
（注：ネリーは当時のエルガーの恋人ヘレン・ウィーヴァーのあだ名）
・管楽五重奏のためのハーモニー・ミュージック第3番（未完成）
／Harmony Music ('Shed' )
for wind quintet No. 3, incomplete
被献呈者：Frank
Elgar（注：エルガーの実弟）
・管楽五重奏のためのハーモニー・ミュージック第4番「農家の中庭」
／Harmony Music ('Shed' ) for wind quintet No. 4, Allegretto 'The
Farmyard'
出版：1978年、Belwin-Mills Music
・管楽五重奏のためのプロムナード／Promenades for wind quintet
1. Moderato e
molto maesutoso
2. 「マダム・タッソー」／Moderato ('Madame Tussaud's' 〔ママ〕
'Madame Taussaud's のことか。）
3. Presto
4. 「眠気」／Andante
('Somniferous')
5. Allegro molto
6. 「地獄とトミー」／Allegro
maesutoso ('Hell and Tommy')
出版：1978年、Belwin-Mills Mushic
注：第5曲、Allegro moltoの原曲は同年に編曲したモーツァルトのト短調交響曲の第3楽章。1930年作の組曲「セヴァーン川」の第4曲
'commandery' の中間部に転用。
・管楽五重奏のためのハーモニー・ミュージック第5番／No. 5,
1.
「伝導」／The Mission
2. メヌエットとトリオ／Menuetto and Trio
3.
「ノアの方舟」／Noah's Ark
4. 終曲／Finale
作曲：1878年05月
被献呈者：H.A.L. (Hubert Leicester).
出版：1978年、Belwin-Mills
Music
注：第2曲のメヌエット部は1930年作の組曲「セヴァーン川」の第4曲 'commandery'
の主部に転用。
・管楽五重奏のためのアンダンテ・コン・ヴァリアツィオーニ（「イヴサム・アンダンテ」）
／Andante
con variazioni ('Evesham andante') for wind quintet
作曲：1878年05月
被献呈者：H. A. L. (Hubert Leicester).
・オーボエ、ヴァイオリン、ヴィオラ、チェロのためのアレグロ／Allegro for oboe, violin, viola, and
cello
注：未完成
・ヴァイオリンとピアノのためのロマンス作品1／Romance, for
violin and pianoforte. Op. 1
初演：1885年10月20日、ウスター
被献呈者：Oswin Grainger.
出版：1885年、Scotto
管弦楽曲／Orchestral:
・メヌエット（スケルツォ）／Menuetto
(scherzo)
日付：1878年10月01日（1930年に書きあらためられる）
・フルート、コルネットと弦楽合奏のための Christy Minstrels への序曲／Introductory Overture for Christy
Minstrels for flute, cornet, strings.
初演：1878年06月12日、ウスター
紛失
声楽曲／Vocal:
・／Domine Salvam fac.
作曲：1878～9年
初演：1879年06月29日、ウスター
St Geroge's Churchにて
・／Hymn Tune in G major.
・／Hymn Tune in
F major.
Published as Drakes Broughton, No. 151 in Westminster
Hymnal, 1898 and 1912.
注：1931年作、組曲「子ども部屋」の「朝の音楽（aubade）」に転用。
・歌曲「もし彼女が我を愛せば」／Song, If She
Love Me (作詞：Temple Bar Rondeau).
1879年
室内楽曲／Chamber
music:
・ヴァイオリンとピアノのためのポロネーズ ニ短調／Polonaise in D minor violin
and pianoforte
・同ヘ長調／Plonaise in F major for violin and
pianoforte
日付：1879年03月07日
被献呈者：For J. H. with
esteem
初演：1974年05月15日、Doncaster、Paul Collins （ヴァイオリン） John
Parry（ピアノ）
注：未完成。草稿のみ。初演はJohn Parry の補完による。
・管楽五重奏のための4つの舞曲／Four Dances, for wind Quintet
1.
メヌエット／Menuetto-allegretto
2. ガヴォット'The Alphonsa'／Gavotte ('The
Alphonsa')
3. サラバンド／Sarabande-Largo
4.
ジグ／Gigue-allegretto.
出版：1978年、Belwin-Mills Music
注：第3曲のサラバンドは1933年作、「スペインの貴婦人」に転用。
・管楽五重奏のためのハーモニー・ミュージック第5番／Harmony
Music ('Shed' ) for wind quintet No.5 for wind quintet
1.
「伝導」／The Mission
2. メヌエットとトリオ／Menuetto and Trio
3.
「ノアの方舟」／Noah's Ark
4. 終曲／Finale
作曲：1878年05月
被献呈者：H.A.L. (Hubert Leicester).
出版：1978年、Belwin-Mills
Music
注：第2曲のメヌエット部は1930年作の組曲「セヴァーン川」の第4曲 'commandery'
の主部に転用。
・管楽五重奏のためのハーモニー・ミュージック第6番
／Harmony Music
('Shed') No. 6 for wind quintet.
1. Allegro molto
2. Andante arioso
・管楽五重奏のための間奏曲集／Intermezzo for wind
quintet
1. 「ナンシー」／Allegretto ('Nancy')
2.
「ミセス・アンド・ミス・ハウェル」／Adagio solenne ('Mrs & Miss Howell')
3.
「農地」／Allegro molto ('The Farm Yard')
4. Andante con moto
5. Allegretto
完成：1879年05月05日
注：第2番は1912年、オルガンと小管弦楽のための「Cantique」作品3に使われた。
出版：1978年、Belwin-Mills
Music
・管楽五重奏のためのアダージョ・カンタービレ「Mrs Winslow's Sooyhing Syrup」
出版：1978年、Belwin-Mills Music
管弦楽曲／Orchesteal:
・ピッコロ、フルート、クラリネット、２つのコルネット、ユーフォニューム、２つのヴァイオリン、ヴィオラ、チェロ、ダブル・ベース、ピアノのためのウスター州立ポウィック精神科養護施設の音楽
／Music written for Worcester City and County Pauper Lunatic Asylum, Powic, and
scored for piccolo, flute, clarinet, 2 cornets, euphonium, 2 violins, viola,
cello, bass, and pianoforte
5つのカドリーユ「La Brunette」／Five Quadrilles,
La Brunette
被献呈者：Geo. Jenkins（養護施設員）
・5つのカドリーユ（ないしCaledonian）「Die junge Koktte」／Five Quadrilles or Caledonians,
Die junge Kokotte.
作曲：1879年05月19日
被献呈者：Miss J.
Holloway （ピアニスト、オルガニスト）
・5つのカドリーユ「L' Assommior」／Five Quadrilles, L'
Assommior.
作曲：1879年09月11日
注：第5曲は1908年、組曲「子どもの杖」第2番の第6曲「野生の熊たち」に転用。
声楽曲／Vocal:
・復活祭聖歌「Brother, For Thee He Died」／Easter anthem, Brother, For Thee He
Died.
1880年
編曲（おそらく1880年）／Arrengements (c.
1880):
・ウスターSt George's Church のためのグロリア：モーツァルト、ピアノとヴァイオリンのためのソナタ
K.547（旧第43番）
／Mozart, Violin Sonata in F (K.547), Allegro,
arr. as Gloria for St George's Church, Worcester.
・ウスターSt George's
Church のためのクレドby 'Bernhard
Pappenheim'：ベートーヴェン交響曲第5番「運命」、第7番、第9番「合唱付」の主題から
／Beethoven, Themes
from Symphonies 5, 7, and 9, arr. as Credo by 'Bernhard Pappenheim' (E.
E.) for St Geroge's Church.
・ピアノ独奏曲：シューマン、序曲「スケルツォと終曲」のスケルツォから
／Shumann, Scherzo, from
Overture, Scherzo and Finale, op. 52, arr. for piannoforte
solo.
管弦楽曲（ポウィック精神科養護施設のための）／Orchestral: (Music for
Powick)
・5つのランサーズ「ザ・ヴァレンタイン」／Five Lancers (The
Valentine).
作曲：1880年02月14日
・ポルカ「Maud」／Polka
(Maud).
・5つのカドリーユ「パリ」／Five Quadrilles,
Paris.
1. Chatelet
2. L'Hippodrome
3. Alcazar
d' Ete (Champs Elysees)
4. La! Suzannel
5. Cafe des
Ambassadeurs: La femme d'emballeur.
作曲：1880年10月17日
被献呈者：Miss
J. Holloway （ピアニスト、オルガニスト）
声楽曲／Vocal:
・O Salutaris
hostia（4声合唱）／O Salutaris hostia (four-part
chorus).
出版：1888年、Cary
・クレド ホ短調／Credo in E
minor.
1881年
室内楽曲／Chamber Music:
・ヴァイオリンとピアノのためのアイルランドの歌による幻想曲／Fantasia on Irish Air for violin and
pianoforte
注：未完成
・フーガ 嬰ハ短調／Fuge in F sharp minor
注：未完成。のち未完成に終わった歌劇「スペインの貴婦人」に転用。
・管楽五重奏のためのハーモニー・ミュージック第6番／Harmony Music ('Shed') No.7 for wind
quintet (see 1879).
1. Allegro;
2. スケルツォ Allegro
giusto.
管弦楽曲／Orchestral:
・／March-Pas Redouble
(No. 1).
初演：1881年03月1日、Worcester Glee Club
・／air de
Ballet.
初演：1881年05月17日、ウスター Worcester Amateur Instrumental
Society 指揮：A. J. Caldicott.
・ポウィック精神科養護施設のバンドのためのポルカ「ネリー」／Polka
(Nelly) for Powick band.
作曲：1881年10月
注：ネリーとはヘレン・ウィーヴァー（当時のエルガーの恋人）のこと。
1882年
管弦楽曲／Orchestral:
・／Maech- Pas Redouble (No. 2)
作曲：1881～82年
初演：Worcester Amateur Insrumental Society
指揮：A. J. Caldicott
注：のち未完成に終わった歌劇「スペインの貴婦人」に転用。
・／Air de
Ballet.
演奏：1882年08月16日、ウスター
注：個人所有の草稿。
・ポウィック精神科養護施設のバンドのためのポルカ「La Blonde」／Polka (La Blonde) for Powick
band
作曲：1882年10月15日
・ピアノ曲「ローズマリー」／Rosemary for
pianoforte solo
作曲：1882年09月04日、Settle
注：のちピアノ三重奏用、小管弦楽用に編曲。原題は「Duce Pensee」
出版：1915年、Elkin
・小管弦楽のための組曲ニ長調
1. マズルカ
2. 間奏曲「ムーア風セレナード」
3. 幻想曲
ガヴォット
4. 行進曲「Pas redouble」
初演：第4曲のみ1882年02月20日、ウスター
第2曲のみ1883年04月04日、ウスター 指揮：Rev E. Vine
Hall
全曲は1888年03月01日、バーミンガム 指揮：W. C. Stockley
作曲：第2番は1883年03月。
第1、3曲は1883～84年までには書かれていなかった。
注：この組曲は1899年に「３つの性格的小品」作品10に改訂。
声楽曲／Vocal:
・バス独唱のための「O
Salutaris hostia」／O Salutaris hostia, bass solo.
注：未完成。Dr
Percy Youngによって完成。
・無伴奏合唱のための「Four Litanies for the Blessed Virgin
Mary」／Four Litanies for the Blessed Virgin Mary
被献呈者：Fr. T.
Knight, S. J.
出版：1888年 Cary
1883年
編曲／Arrangement:
・ピアノ曲：ワーグナー楽劇「タンホイザー」第2幕より吟遊詩人の入場／
Wagner, Tannhauser, Act Ⅱ, Entry of the Minstrels, arr. for
pianoforte.
室内楽曲／Chamber music:
・ヴァイオリンとピアノのための牧歌
作品4の2／Pastourelle, op. 4, No. 2 for violin and pianoforte.
被献呈者：Miss Hilda Fitton, Malvern.
出版：1906年、Swan
1912年、Novello.
・ヴァイオリンとピアノのための～ 作品4の3／Virelai, op. 4, No. 3,
for violin and pianoforte.
被献呈者：Frank W. Webb.
出版：1906年、Swan 1912年、Novello.
・オーボエとヴァイオリンのためのフーガ ニ短調Fugue in D
minor, for oboe and violin.
1884年
管弦楽曲／Orchestral:
・ポウィック精神科養護施設のバンドのためのポルカ「Blumine」／Polka
(Blumine) for Powic band.
・「セヴィリアの女」作品7／Sevillana, op.
7.
初演：1884年05月01日、Worcester Phillharmonic Society, cond. by Dr w.
Done.
ロンドン初演：1884年05月12日、Crystal palace, cond. August
Manns.
被献呈者：W. C. Stockley.
出版：1884年、Tucwood.
1889年改訂版：1895年、Ascherberg.
器楽曲／Instrumental:
・ヴァイオリンとピアノのための田園詩曲 作品4の1／Une Idylle, op. 4, No. 1, for violin and
pianoforte.
被献呈者：E. E., Invernss.（注：E. E.
とはエドワード・エルガーのことか不明）
出版：1885年、Beare 1910年、Ashdown.
・ピアノ曲「グリフィネスク」／Griffinesque, for pianoforte.
作曲：1884年02月17日
出版：1981年、Novello
注：生徒へのプレゼント曲。曲名は生徒の名前にちなむ。
声楽曲／Vocal:
・歌曲「兵士の歌」／A
Soldier's Song (作詞：C. Flavell Haward).
初演：1884年03月17日、Broad
Street, Crown Hotel,にて、Worcester Glee Club
被献呈社：F. G. Worcester (F.
G. Pedley).
出版：1890年Magazine of Music
注：1903年に改称「戦（いくさ）の歌」／A War Songとし、Booseyより出版。
同年
10月01日、Royal Albert Hallにて歌われる。
1885年
編曲／Arrengements:
・Maud Valerie White, Absent and
Present. cello obbligato.
・C. H. Doolby, Out on the Rocks.
Cello obbligato.
・C. W. Buck, Melody. Pianoforte
accmpainment.
室内楽曲／Chamber music:
・ヴァイオリンとピアノのためのガヴォット／Gavotte for violin and pianoforte.
被献呈者：Dr C. W. Buck
出版：1886年、Schott
・ヴァイオリンとピアノのためのアレグレット「GEDGE」／Allegretto on G E D G E for violin and
pianoforte.
被献呈者：モールヴァンのThe Miss Gedge
初演：1885年12月22日、モールヴァン wells House,
出版：1889年、Schott
管弦楽曲／Orchestral:
・序曲「湖」／Overture, The
Lakes.
注：草稿、紛失。
・スコットランド序曲／Scottish
Overture.
注：草稿、紛失。
声楽曲／Vocal:
・
歌曲「長き日々を通して」／Song, Through the Long Days (作詞：John Hay).
作曲：1885年08月セトル(Settle)にて
被献呈者：Rev E. Vine Hall.
初演：1897年02月25日、ロンドンSt Jame's Hallにて、Charles Phillips（バリトン）
出版：1887年、Stanley Lucas, 1890年、Ascherberg,
1907年、Ascherberg,「エドワード・ルガーの7つの歌」作品16の2として／in Seven Lieder of Edward
Elgar, op. 16 No. 2.
1886年
室内楽曲／Chamber
music:
・ヴァイオリン、チェロとピアノのための三重奏曲／Trio for violin, cello, and
pianoforte.
注：第1楽章の75小節のみ。1920年9月21日に再生。完全演奏は1974年5月15日、DoncasterにてJohn Parryによる。
声楽曲／Vocal:
・歌曲「」／Song, Is she not passing fair?
(作詞：Charles, Due d'Orleans、訳詞：L. S. Costello).
出版：1908年、Boosey.
1887年
室内楽曲／Chamber music:
・弦楽四重奏曲 作品8／String Quartet,
草稿、破棄。
・ヴァイオリン・ソナタ
作品9／Sonata for violine and pianoforte, op. 9.
草稿、破棄。
・トロンボーンとダブル・ベースのための二重奏曲／Duett for trombone and double bass.
声楽曲／Vocal:
・「ピエ・イェス（ウィリアム・アレンの思い出に）」／Pie Jesu, in memory
of Willam Allen.
注：1902年に「アヴェ・ヴェルム・コルプス」 作品2の1に編曲
被献呈者：ウィリアム・アレンの思い出に
出版：1902年、Novello.
・「アヴェ・マリア」／Ave
Maria (Lord of Life and Glory)
注：1907年に作品2の2に改訂。
被献呈者：Mrs H. A. Leicester.
出版：1907年、Novello.
・「アヴェ・マリス・ステラ」／Ave Maris Stella (Jesu, Meek and Lowly)
注：1907年に作品2の3に改訂。
被献呈者：Rev Canon Dolman, O.S.B., Herford.
出版：1907年、Novello.
・歌曲「メリー女王の歌」／Song, Queen Mary's Song
(作詞：Tennyson).
作曲：1887年、1889年に改訂。
被献呈者：J. H. Meredith
(Worcester Amateur Instrumental Societyの名誉会員).
出版：1889年、Osborn and
Tuckwood、1892年、Ascherberg
1907年、Ascherberg,「エドワード・ルガーの7つの歌」作品16の,
1892. Re-published in Seven Lieder of Edward
Elgar,
Ascherberg, 1907.
・歌曲「」Song, As I Laye a-thinking (作詞：Richard Barham,
'Thomas Ingoldsby').
作曲：1887年後半
出版：1888年、Bere
1888年
Chamber music:
String Quartet in D
(unfinished: 3rd movement, Intermezzo, used
as No.3 Of Eleven
Vesper Voluntaries, see 1889.)
Orchestral:
Three
Pieces for String Orchestra. MS. lost, but probably revised as
the
Serenade in E minor. 1. Spring Song, allegro; 2. Elegy, adagio;
3. Finale, presto. First performance: Worcestershire Musical
Union,
cond. by the Rev E. Vine Hall, 7 May 1888. See1892.
Salut
d'Amour (Liebesgruss), op. 12 (written as pianoforte solo
and
orchestrated). First performance: London, Crystal Palace,
cond.
by August Manns, 11 November 1889. Dedication: a Carice (in
this
case is Elgar's wife, not his daughter) Publisher: Scott, 1889
(also
for violin and pianoforte and in other arrangements).
Vocal:
Ecce sacerdos magnus for chorus and organ. First
performance: St
Geroge's church, Worcester, 9 Octorber 1888.
Dedication:
Hubert Leicester. Publisher: Cary, 1888.
Song,
The Wind at Dawn (C. Alice Roberts). Dedication: Dr
Ludwing
Wullner. Publisher: Magazine of Music, 1888; Boosey
1907 (with
dedication added). Orchestrated by Elgar, 1912
1889年
Chamber
music:
Mot d'Amour (Liebesahnung) for violin and
pianoforte, op. 13,
No. 1. Publisher: Orsborn and Tuckwood;
Ascherberg, 1890.
Bizarrerie for violin and pianoforte, op. 13, No. 2.
Publisher:
Orsborn and Tuckwood; Ascherberg, 1890.
Organ:
Eleven Vesper Voluntaries for organ, op. 14. (No.
3 is from
unfinished string quartet of 1888.) Dedication: Mrs. W. A.
Raikes.
Publisher: Orsborn and Tuckwood, 1891; Ascheberg,
1891.
Pianoforte:
Sonatina in two movements,
'Composed expressly for May
Grafton by her affectionate Uncle, Edward
Elagr, Jany. 4: 1889'.
See 1932.
Presto.
Composed at 'Saetermo', Malvern, 8 August 1889.
Dedication: 'To Miss
Isabel Fitton Aug. 8; 1889' [her twenty-first
Birthday]. Publisher:
Novello, 1981.
Vocal:
Part-Song (S.A.T.B.) O happy
eyes (C. A. Elgar), op. 18, No. 1.
Publisher: Novello, 1896. For
Love, op.18, No. 2, see 1907.
Part-song (S.A.T.B.), My Love
dwelt in a Northarn Land (Andrew
Lang). First performance: Tenbury
Musical Society, 13 November
1890. Dedication: Rev J Hampton, M.A.,
Warden of St
Michael's College, Tenbury. Published: Novello,
1890.
1890年
Orchestral:
Violine
Concerto, destroyed during 1890.
Concert Overture,
Froissart, op. 19. (Written at 51 Avonmore
Road, West
Kensington, between 6 April and a date in July.) First
performance:
Worcester Festival, Public Hall, 9 September 1890,
cond by E. E. First
performance in London: St James's Hall, 16
November 1900, cond. by
Frederic Cowen. Publisher: Novello,
1901.
Vocal:
Folk-Song arrengement. Clapham Town End, for vice
and
pianoforte.
1891年
Chamber music:
La Capricieuse for violin and pianoforte, op. 17. Dedication:
Fred
Ward (a Worcester pupil of Elgar). Publisher: Breitkopf
and
Hartel, 1893.
Vocal:
Part-Song (S.A.T.B.
with 2 violins and pianoforte), Spanish Serenade
(Stars of
Summer night) (Longfellow), op. 23. Orchestral
accompainment added
12 June 1892. First perfprmance: Herefordshire
Phillharminic Society,
cond. by the Rev. J. Hampton, 7
April 1893. Publisher: Novello,
1892.
1892年
Chamber music:
Very Easy
Melodious Exercises in the First Position for solo violin,
op. 22.
Dedication: May Grafton (Elgar's niece). Publisher:
Chanot, 1892;
Laudy, 1927.
Etudes Caracteristiques pour violin seul, op. 24.
Dedication: Adolphe
Pollitzer. Publisher: Chanot, 1892. (No. 4 is
known to have been
written on 30 April 1882, the rest were composed in
1877.
Choral and vocal:
The Black Night,
symphony for chorus and orchestra, op. 25. (Poem
by Uhland, tr. H. W.
Longfellow.) Begun 1889. First perfprmance:
Worcester Festival Choral
Society, cond. by E. E., 18
April 1893; in London, March 1895.
Dedication: To my friend
Hugh Blair, M.A., Mus. B. Publisher: Novello,
1893.
Song, A spear, a sword (C. A. Elgar) August
1892.
Song, 1588: Loose, loose the Sails (C. A.
Elgar).
Song, The Mill Wheel (C.A. Elgar): 1. Winter; 2. May
(a
Rhapsody). December 1892.
Song, Like to the
Damask Rose (Simon Wastell). First Performance:
London, St Jame's
Hall, 25 February 1897, Charles Phillips
(baritone). Publisher:
Tuckwood, Ascherberg, 1893. Re-published
in Seven Lieder of Edward
Elgar, Ascherberg,1907.
Song, The Poet's Life (Ellen Burroughts).
Compsed in 1892.
Published in Seven Lieder of Edward Elgar.
Ascherberg, 1907.
Song, A Song of Autumun (Adam Lindsay
Gordon). Dedication:
Miss Marshall. Publisher: Orsborn and Tuckwood;
Ascherberg,
1892. Re-published in Seven Lieder of Edward Elgar,
Ascherberg,
1907.
Song, Shepherd's Song ('Barry
Pain'), op. 16, No. 1. publisher:
Tuckwood, 1895; Asherberg, 1896.
Re-published in Seven Lieder
of Edward Elgar,
Ascherberg, 1907.
Orchestral:
Serenade in Eminor
for string orchestra, op. 20. 1. Allegro
piacevole; 2. Larghetto; 3.
Allegretto. First performance:
Worcester Ladies' Orchestral Class,
cond. by E. E., at some time in
1892; Larghetto only, Hereford, 7
April 1893, cond. by Rev. J.
Hampton, and in London, St Andrew's Hall,
19 June 1894. First
professional public performance of complete work,
Antwerp, 23
July 1896; in Englamd, New Brighton, cond. by E.E., 16
July
1899; in London, Bechstein Hall, 5 March 1905, cond by E.
E.
Dedication: W. H. Whinfield. Publisher: Breitkopf and
Hartel,
1893. (See also 1888, Three Pieces for
Strings.)
1894年
Arrangement:
Wagner,
Parsifal, Good Friday Music, arr. for small orhcestra for
Worcester Girl's High School, 13 June 1894.
Orchestal:
Sursum Corda for strings, brass, and organ, po. 11 Theme taken
from abandoned Violin Sonata 1887, re-shaped 1893 as Andante
religioso. First performance: Worcester Cathedral, cond. by
Hugh
Blair, 9 April 1894. Dedication: H. D. Acland. Publisher:
Shcott,
1901.
Vocal:
Part-songs (S.S.A. with
2 violins and pianoforte), The Snow and Fly,
Singing
Bird (C. A. Elgar), op. 26, Nos 1 and 2. Dedication: Mrs
E. B.
Fitton, Malvern. Publisher: Novello, 1895. Orchestration
added
December 1903; First performance of this version, London,
Queen's
Hall, 12 March 1904.
Song, The Wave (C. A. Elgar).
Song, Muleteer's Song (C. A. Elgar).
Song, Rondel (Longfellow,
from Feoissart), op. 16, No. 3 First
performance: London, St
Jame's Hall, 7 December 1897.
Publisher: Ascherberg, 1896.
Rr-published in Seven Lieder of
Edward Elgar,
Ascherberg, 1907.
1895年
Choral and vocal:
Scenes from the Bavarian Highlands. Six choral songs with
pianoforte
(1895) or orchestal (1896) accompaniment, op. 27.
(Bavarian
folksongs adapted by C. A. Elgar.) 1. The Dance; 2. False
Love; 3.
Lullaby; 4. Aspiration; 5. On the Alm; 6. The Marksman.
First
performance: Worcester Festival Choral Society cond. by E. E.,
21
April 1896. Orchestral version of Nos 1, 3, and 6 first
performanceed in
London, Crystal Palace, 23 October 1897, cond. by
August
Manns. Dedication: Mr and Mrs Henry Silngsby Bethell,
Garmisch, Bavaria. Publisher: J. Willams, 1896; Orchestral
Versions,
(Three Bavarian Dances) Novello, 1907.
Song, After (P. B.
Marston), for voice and pianoforte, op. 31,
No. 1. Compsed 21 June
1895. First performance: London, St
James' Hall, 2 March 1900. H.
Plunket Greene (baritone).
Publisher: Boosey, 1900.
Song,
A Song of Flight (C. Rossetti), for voice and pianoforte,
op.
31. No. 2 First performance and Publisher as for After
Instrumantal:
Sonata in G for organ op. 28. First
Performance: Worcester
Cathedral, 8 July 1895, Hugh Blair. Dedication:
C. Swinnerton
Heap, Mus. D. Publisher: Breitkopf and Hartel,
1896.
Cadenza fir C. H. Lloyd's Organ Concerto in F minor,
Played by
G. R. Sinclair, Gloucester Festival, 1895
1896年
Choral and vocal:
Oratorio, The Light of
Life (Lux Christi), for soprano, contralto,
tenor, and bass
soloists, chorus, and orchestra, op. 29. (Libretto
written and
arrenged by the Rev. E. Capel-Cure.) First performance:
Worcester
Festival, 10 Sepyember 1896, Anna Williams,
Jessie King, Edward Lloyd,
Watkin Mills, Cond. by E. E.
Dedication: C. Swinnerton Heap, Mus. D.
Publisher: Novello,
1896.
Scenes from Saga of King
Olaf, cantata for soprano, tenor, and
bass soloists, chorus, and
orchestra, op. 30 (Librettoby
Longfellow and H. A. Acworth.) Work was
bigun 15 July 1894,
revised version completed Audust 1896. First
performance:
North Staffordshire Music Festival, Hanley, 30 Octorber
1896,
Medora Henson, Edward Lloyd, David Ffrangcon-Davies,
cond.
by E. E.; first performance in London, Crystal Palace, 3
April
1897, cond.by August Manns. Publisher: Novello, 1896.
Extract
available in separate from, Part-song (S.A.T.B.) As
torrents in
summer.
1897年
Choral and
vocal:
The Banner of St Geroge, ballad for chorus and
orchestra, op. 33
(Shapcott Wensley). First performance: London, St
Cuthbert's
Hall Choral Society, cond. by Cryil Miller, 18 May
1897.
Publisher: Novello, 1897.
Te Deum &
Benedictus for chorus and orchestra. or organ, op. 34. first
performance: Hereford Festival, 12 September 1897, cond. by Dr
G. R.
Sinclair. Dedication: G. R. Sinclair. Publisher: Novello, 1897.
Part-song, Grete Malverne on a Rock. Private Christmas card,
1897.
Published in 1909 as the carol Lo, Christ the Lord is
born.
Song, Rondel: The Little Eyes that Never Knew
Light (Swinburne).
First performance: worcester Musical Union, 26
April 1897,
Gertrude Walker, acc. by E. E.
Song, Love
Alone Will Stay (Lute Song) (C. A. Elgar), for voice and
pianoforte. written 30 May 1897. Publisher: The Dome, 1898.
Revised, orchestrated, and incorporated into Sea pictures,
op.37,
No. 2, 1899 as In Haven (Capri). See
1899.
Insturumental and orchestral:
Minuet for
pianoforte (also for small orchestra, op. 21). Orch.
version 1898.
First performance: New Brighton, 16 July 1899,
cond. by Granville
Bantock (orchestral version). Dedication:
Paul Kilburn. Publisher:
The Dome and J. williams, 1897 (pfte.);
J. Williams, 1899
(orch.).
Chanson de Nuit for violin and pianoforte and for
orchestra, op. 15,
No. 1. First performance (orch.): London, Queen's
Hall, cond. by
Henry J. Wood, 14 September 1901. Dedication: F. Ehrke,
M. D.
(viorinist in Worcestershire Philharmonic). Publisher:
Novello,
1897 (vn. & pfte.), 1899 (orch.). Composed 1897 as
Evensong. For
op. 15, No. 2 see 1899.
Imperial
March for orchestra, op. 32. First performance: London,
Crystal
Palace, 19 April 1897, cond. by August Manns. Publisher:
Novello,
1897.
1898年
Arrangement:
The Holly and The
Ivy for chorus and orchestra, for Worcestershire
Philharmonic
Society, 9 January 1899, cond. by E. E.
Choral and
vocal:
Caractacus, cantata for soprano, tenor, and bass
soloists,
chorus, and orchestra, op. 35 (H. A. Acworth).
first
performance: Leeds Festival, 5 Octorber 1898, Medora
Henson,
Edward Lloyd, Andrew Black, John Browning, cond. by E.
E.
First London performance: Royal Albert Hall, 20 April
1899,
Medora Henson (soprano), Edward Lloyd (tenor), Douglas
Powell (baritone), Andrew Black (bass), Royal Choral Society and
orchestra, cond. by E. E. Dedication: H. N. Queen Victoria.
Publisher:
Novello, 1898.
Extract available separately, part-song S.A.T.B.,
The Sword Song.
O Salutaris hostia, in Tozer's
Benediction Manual, No. 47. Publisher:
Cary, 1898.
Orchastral:
Festival March in C. First performance:
London Crystal Palace, 14
Octorber 1898, cond. by August Manns.
Fragment omly remains.
1899年
Instrumental and
orchestral:
Chanson de Matin for violin and pianoforte and
for orchestra,
op. 15, No. 2. Completed 6 March 1899. First
performance
(orch.): London, Queen's Hall, cond. by Henry J. Wood,
14
September 1901. Publisher: Novello, 1899 (vn. & pfte.),
1900
(orche.)
・Three Caracteristic Pieces, op. 10.
1.Mazurka;
2. Serenade Mauresque; 3. Contrasts: The Gavotte A. D. 1700
and
1900. Dedication: Lady Mary Lygon. Publisher: Novello,
1899.
・Varations on an Original Theme (Enigma) for orchestra, op.
36.
Theme (Enigma) (andante); Var. 1. C. A. E. (andante); 2. H. D.
S.-P.
(allegro); 3. R. B. T. (allegretto); 4. W. M. B. (allegro
di
molto); 5. R. P. A. (moderato); 6. Ysobel (andantino); 7.
Troyte
(presto); 8. W. N. (allegretto); 9. Nimrod (adagio); 10.
Intermezzo,
Dorabella (allegretto); 11. G. R. S. (allegro di
molto);
12. B. G. N. (andante); 13. Romanza (* * *) (moderato);
14.
Finale, E. D. U. (allegro). First performance: London, St Jame's
Hall, 19 June 1899, cond. by Dr Hans Richter; first
performance
of version with revised finale: Worcester Festival, 13
September
1899, cond. by E. E. Dedication: To my firends pictured
within.
Publisher: Novello, 1899.
Vocal:
Part-song (S.A.T.B.), To Her Beneath Whose Steadfast Star (F. W.
H.
Myers). Composed 7 February 1899. First performance:
Windsor
Castle, 24 My 1899, as one of a group of songs dedicated
to
Queen Victoria in the manner of The Triumphes of
Oriana.
Publisher: Macmillan, 1899.
Song, Dry Those
Fair, Those Crystal Eyes (Henry King). First
performance: London,
Royal Albert Hall, 21 June 1899.
Publisher: Souvenir of Charing Cross
Hospital Bazaar, 1899
Song -cycle, Sea-Pictures, for contralto or
mezzo-soprano and
orchestra, op. 37. 1. Sea-Slumber Song (Poden Noel);
2. In Haven
(Capri) (C. A. Elgar); 3. Sabbath Morning at Sea (E. B.
Browing); Where Corals Lie (Richard Garnett); 5. The
Swimmer (Adam Lindsay Gordon). Composed July 1899 at
Birchwood, with
exception of No. 2 (see 1897, Love Alone Will
Stay). First
performance: Norwich Festival, 5. October 1899, Clara
Butt, cond. by
E. E. First performance: 7 October 1899,
Clara Butt, with E. E. as
pianist (4 songs only). Publisher: Boosey
1900.
1900年
Choral and Vocal:
The Deram of Gerontius (Cadinal
Newman) for mezzo-soprano,
tenor, and bass soloists, Chorus, and
orchera, op. 38. Composed
1900 (vocal score finished 6 June 1900,
orchestration finishaed 3
August 1900). First performance: Birmingham
Festival, 3
Octorber 1900, Marie Brema, Edward Lloyd, H. Plunket
Greene,
cond. by Dr Hans Richter. First London Performance:
Westminster Cathedral, 6 June 1903, cond. by E. E. with Muriel
Foster,
Ludwig Wullner, and David Ffrangcon-Davis, and
North Stanffordshire
Festival Chorus. Dedication: A. M. D. G. (Ad
Majorem Dei Gloriam).
Publisher: Novello, 1900.
Song, Pipes of Pan (Adrian Ross). First
performance: London,
Crystal Palace, 30. April 1900, Miss Blouvelt;
Queen's Hall, 12
May 1900, Andrew Black (bass). Publisher: Boosey,
1900.
Orchestral:
Serenade Lyrique for small orchestra.
First performance: London
St James's Hall, 27 November 1900.
Dedication: Composed for
Ivan Caryll's Orchestra. Publisher: Chappell,
1899.
1901年
Dramatic:
Incidental Music for
Grania and Diamid (W. B. Yeats and Geroge
Moore) op. 42. 1.
Incidental music; 2. Funeral March; 3. Song,
There are seven that
pull thread. First performance: Dublin, Gaiety
Theatre, 21.
October 1901. Funeral March preformed London,
Queen's Hall, 18
January 1902 cond. by Sir Henry J. Wood.
Direction: Henry J. Wood.
Publisher: Novello, 1902.
Instrumental:
May Song
for pianoforte and for violine and pianoforte (both
completed 2 March
1901) Dedication of violin and pianofote
virsion: 'Inscribed to Mrs T.
Garmston Hyde'. Publisher: W. H.
Broome, 1901; Morrice Music
Publishing Co., 1901; orchestrated
1928 (Elkin, 1928).
Concert aregllo for pianoforte, op.41. First performance:
London,
St James's Hall, 2 December 1901, by Fanny Davies.
Didection:
For Fanny Davies. MS. rediscovered in 1968 and published
by
Novello, 1973 (edited by John Ogdon and Diana McVeagh).
Orchestral:
Military Marches, Pomp and Circumstance, op.
39, No. 1 in D major
and No. 2 in A minor. First performance:
Liverpool Orchestral
Society, cond. by A. E. Rodewald, 19 October
1901; first London
performance: Queen's Hall, 22 Octorber 1901, cond.
by Henry J.
Wood. Dedication: No. 1 - A. E. Rodewald and the members
of
the Liverpool Orchestral Society; No. 2. - Granville
Bantock.
Publisher: Boosy 1902. See also Land of Hope and
Glory, 1902
For Match No. 3 see 1904; No. 4, 1907; No. 5,
1930.
Concert Overture, Cokaigne (In London Town), op.
40. First
performance: London Queen's Hall, Philharmonic Society,
20
June 1901, cond. by E. E. Dedication: To my many friends
the
members of British orchestras. Publisher: Boosey, 1901.
Orchestration of Emmaus, by H. A. Brewer. Publisher: Novello,
1901. (All copies destroyed in 1959.)
Vocal:
Song,
Come, gentle night (Clifton Bingham). Publisher: Boosey,
1901.
song, Always and Everywhere (Krasinski, tr. F. E.
Fortey).
Publisher: Boosey, 1901.
1902年
Arrangement:
God Save the King for soprano solo, chorus,
and orchestra.
Publisher: Novello, 1902.
Choral and
vocal:
Coronation Ode (A. C. Benson), for soprano,
contralto, tenor, and
bass soloists, chorus, and orchestra, op. 44. 1.
Crown the King with
Life, soloists and chorus; 2.
Daughter of Ancient Kings, for chorus;
3. Britain, Ask of
thyself, bass and men's chorus; 4. Hark upon the
hallowed air, soprano and tenor soloists; 5. Only let the heart be
pure,
S.A.T.B. soloists; 6. Peace, gentle peace, S.A.T.B.
soloists and chorus
unaccompained; 7. Finale, Land of Hope and
glory, (Adaption of trio
section of Pomp and Circumstance
March No. 1 in D major.) contralto
solo, chorus, and orchestra. First
performnace: Sheffield Festival, 2
October 1902, Agnes Nicholls,
Muriel Foster, John Coates, David
Ffrangcon-Davies, cond. by. E. E.
First London performance: 26
Octorber 1902. cond. by E. E. Dedication:
H. M. King Edward
Ⅶ. Publisher: Boosey, 1902. See 1911 for substitute
No. 2. The
Queen.
Separate arrangement from
the Ode - Song, Land of Hope nad Glory
(with different
words by Benson from version in No. 7 of Ode).
First
performance: London, June 1902, Clara Butt (conralto).
Hymn, O
Mightiest of the Mighty. First performance: Wsetminster
Abbey,
Coronation of Edward Ⅶ, 9 August 1902. Dedication:
H. R. H. The prince
of Wales. Publissher: Novello, 1902.
Part-song. (S.A.T.B.), Weary
Wind of the West (T. E. Brown).
Composed November 1902. First
performance: Morecambe
Festival, 2 May 1903. Dedication: Composed for
Morecambe
Musical Festival. Publisher: Novello, 1903.
Song,
In the Dawn and Speak, Music (A. C. Benson), op.41, Nos
1
and 2. Dedication, No. 2: Mrs E. Spyere, Ridgehurst.
Publisher:
Boosey, 1902.
Song, Speak, my heart (A. C.
Benson), Publisher: Boosey, 1903.
Five Part-song from the Greek
Anthology (T.T.B.B.), op. 45.
Completed on 11 November 1902. 1.
Yes, cast me from heights
(Anon., Alma Strettell); 2. Whether I find
thee (Anon., tr.
Andrew Lang); 3. After many a dusty mile (Anon., tr.
Edmund
Gosse); 4. It's oh! to be a wind (Anon., tr. W. M.
Hardinbe);
5. Feasting I watch (Marcus Argentarius, tr. Richard
Garnett).
First performance: London, Royal Albert Hall, London
Choral
Society, cond. by Arthur Fagge, 25 April 1904. Dedication:
Sir
Walter Parratt. Publisher: Novello, 1903.
Instrumental:
Skizze, pianoforte solo. Composed 1901-2.
Dedication: Prof
Julius Buths, Dusseldorf. Publisher: Musik-Beilag
zur Neuen
Musik-Zeitung, Stuttgart-Leipzig ⅩⅩⅠⅤ Jahrgang;
Novello,
1976.
Offertorie (andante religioso) for
violin and pianoforte.
Dedication: Sege Derval, Antwerp. Publisher:
Boosey, 1903.
Orhestral:
Deram Children, two
pieces for small orchestra (or for pianoforte),
0p. 43, After Charles
Lamb. First performance: London Queen's
Hall, cond. by Arthur W.
Payne, 4 September 1902, Publisher: J.
Willams, 1902; Schott,
1913.
1903年
Choral and vocal:
The Apostles, an
oratorio for soprano, contralto, tenor, and therr
bass soloists,
chorus, and orchestra, op. 49. (Libretto compiled by
Elgar from Bible
and other sources.) First performance:
Birmingham Festival, 14
Octorber 1903, Emma Albani, Muriel
Foster, John Coates, Kennerley
Rumford, Andrew Black, David
Ffrangcon-Davies, cond. by E. E. First
London performance:
Royal Opera House, Covent Garden, 15 March 1904,
Agnes
Nicholls (soprano), Louise Kirkby-Lunn (contralto), John
Coates
(tenor), Kennerley Rumford (bass), Andrew Black (bass),
David
Ffrangcon-Davies (bass), The Halle Orchestra and Choir,
cond.
Hans Richter. Composed late December 1902 to June
1903.
Dedication: A. M. D. G. Publisher: Novello, 1903.
1904年
Instrumental:
In Smyrna, pianoforte solo.
Composed Octorber 1905. Publisher:
Daily Mail, Queen's Christmas Carol
Book, 1905; Novello, 1976.
Orchestral:
Concert
Overture, In the South (Alassio), op. 50. Composition
begun 1903, finished 21 February 1904. First performance:
London,
Elgar Festival, Royal Opera House, Covent Garden, 16
March 1904, The
Halle Orchestra, cond. by E. E. Dedication: To
my friend Leo F.
Schuster. Publisher: Novello, 1904. Extract
available separately:
In Moonlight (Canto popolare) for small
orchestra, for
violin and pianofote, viola and pianoforte, cello and
pianoforte,
clarinet and pianoforte, for organ, and as song for
high or midium
voice with pianoforte. First performance of
version for small
orchestra: Herefordshire Philharmonic Society,
cond. by Dr G. R.
Sinclair, 22 November 1904. Publisher:
Novello.
Military
March, Pomp and Circumstance, op. 39. No. 3 in C minor,
completed 20 November 1904. First performance: London,
Queen's Hall, 8
March 1905, cond. by E. E. Dedication: Ivor
Atkins. Publisher: Boosey,
1905 (See also 1901, 1907, and 1930.)
1905年
Orchestral:
Introduction and Allegro for string Quartet
and String Orchestra,
op. 47. First sketches, 1901, completed 13
February 1905. First
performance: Londo, Queen's Hall, 8 March 1905,
London
Symphony Orchestra, cond. by E. E. (Solo quratet, A. W.
Payne,
W. H. Eaynes, A. Hobday, B. P. Parker.) Dedication:
Professor
S. S. Sanford, Yale University, U. S. A. Publisher: Novello,
1905.
Instrumental:
In Smyrna, pianoforte solo.
Composed Octorber 1905. Publisher:
Daily Mail, Queen's Christmas Carol
Book, 1905; Novello, 1976.
Vocal:
Part-song (S.A.T.B.),
Evening Scene (Coventry Patmore). composed
21-24 August 1905.
First performance: Morecambe Festival, 12
May 1906. Dedication: In
memoriam R. G. H. Howson.
Publisher: Novello, 1906
1906年
Instrumental:
Piece for organ. 'For Dot's
nuns.' (His sister was in a convent.)
Choral and Vocal:
The Kingdom, an oratorio for soprano, contralto, tenor, and
bass
soloists, chorus and orchestra, op. 51. (Libretto compiled
by
Elgar from the Bible and other sources.) Composed between
1901
and August 1906. First performance: Birmingham Festival,
3
Octorber 1906, Agnes Nicholls, Muriel Foster, John Coates,
Willam Highley, cond. by E. E. First London performance:
Alexandra
Place, 17 November 1906, Cicely Gleeson-White
(soprano), Edna Thornton
(contralto), John Coates (tenor),
Dalton Baker (bass), Alexandra
Palece Orchestra and Choir, cond.
Allen Gill. Dedication: A. M. D. G.
Publisher: Novello, 1906.
1907年
Arrangement:
Victor Berard, Bereceuse-Petite Reine, arr. for viollin and
pianoforte.
Publisher: Ashdown, 1907. (Probably arrenged c.
1880)
Chamber Music:
Andantino for violine,
mandoline, and guiter. Unfinished. Sketched
15 January 1907 in Capri
for a barber's shop where Elgar found
the barber and customers making
music while they waited.
Orchestral:
The Wand of
Youth, Sute No. 1 for orchestra, op.1A. Final varsion
of music of
Elgar wrote for a children's play (See 1867) which he had
reviesd at
various earlier dates. 1. Overture; 2. Serenade: 3.
Minuet; 4. Sun
dance; 5. Fairy Pipers; 6. Slumber Sene; 7.
Fairies and Gaints. First
performance: London, Queen's Hall, 14
December 1907, cond. by Sir
Henry J. Wood. Dedication: C. Lee
Willams. Publisher: Novello, 1907
(See also 1915, The Starlight
Express.)
Milltary March, Pomp and Circumstamce, op. 39, No. 4 in G
major.
(Completed 7 June 1907.) First performance: London,
Queen's
Hall, 24 August 1907, cond. by E. E. Dedication: G. R.
Sinclair.
Publisher: Boosey, 1907. (See also 1901, 1904, and
1930.)
Vocal:
Two Single Chants for
Venite in D and G. Cimposed May 1907.
Publisher: New cathedral
Psalter, and Novello, 1909.
Two Doble Chans in D for Psalms 68
and 75. Composed May
1907. Publisher: Novello, 1909.
A
Chiristmas Greetiong (C. A. Elgar), carol for two sopranos, amle
chorus ad lib., two violines, and pianoforte, po. 52 First
performance:
Town Hall, Hereford, 1 January 1908. Dedication:
Dr
G. R. Sinclair and the choristers of Hereford Cathedral.
Publisher: Novello, 1907.
Part-song (S.A.T.B.), How calmly the
evening (T. Lynch). Publisher:
Novello, 1907, in Musical
Times.
Part-song (S.A.T.B), Love (Arthur Maquarie) po. 18,
No. 2.
Composed 2 June 1907. Dedication: C. A. E. Publisher:
Novello,
1907. For O Happy Eyes, op. 18, No.1, See
1889.
Four Part-song (S.A.T.B.), op. 53. Composed in Rome in
February
1907. 1. There is sweet music (Tenntson), Dedication:
Canon
Gorton; 2. Deep in my soul (Byron), Dedication: Julia
H.
Worthington; 3. O Wild West Wind (Shelley), Dedication: W.
G.
McNaught; Owls (E. E.), Dedication: Pietro d'Alba (Peter
Rabbit - A white rabbit belonging to his daughter Carice which
lived
from 1905 to May 1910). Publisher: Novello, 1908.
The Reveille
(T.T.B.B.), op. 54 (Bret Harte). Composed in Rome,
20-26 December
1907. First performance: Blackpool Music
Festival (Elgar's association
with the Blackpool Festival is
commemorated by a kind of heraldic
shield in the Twoer
Ballroom.), 17 Octorber 1908. Dedication: Henry C.
Embleton.
Publisher: Novello, 1908.
1908年
Orchestarl:
The wand of youth, Suite No. 2 for
orchestra. op. 1B (See 1907), 1.
March; 2. The Little Bells; 3. Moths
and Butterflies; 4. Fountain
Dance; 5. The Tame Bear; 6. Wild Bears.
First performance:
Worcester Festival, 9 September 1908, cond. by E.
E., First
London performance: Queens Hall Orchestra, cond. E. E.,
17
Octorber 1908. Dedication: Hubert A. Leicester.
Publisher:
Novello, 1908 (See also 1916, The Starlight
Experss.)
Symphony No. 1 in A flat major, op. 55. Composd
between 13 June
1907 and 25 September 1908. First Pefromance:
Mnchester, Free
Trade Hall, 3 December 1908, The Halle Orchastra,
cond. by Dr
Hans Richter; first London performance: Queen's Hall,
7
December 1908 L. S. O., cond. by Richter. Dedication: Hans
Richter, Mus. Doc. True artist and true friend. Publisher: Novello,
1908.
Vocal:
Song for vioce and pianoforte,
Plaeding (A. L. Salmon), op. 48.
Orchestration added 13
November 1908. Dedication: Lady Maud
Warrender. Publisher: Novello,
1908.
Song for S.A.T.B., Marching Song (Capt. de Courcy
Stretton).
Composed 1907-8. First performance: London, Royal
Albert
Hall, Empire Day Concert, 24 May 1908. Publisher:
Novello,
1908. (See also 1914, Follow the Colours.)
1909年
Orchestral:
Elegy for string orchestra,
op. 58. Completed 24 June 1909. First
Performance: London, The Mansion
House, 13 July 1909, at
memorial concert of Worshipful Company of
Musicians. Dedication:
In Memorian late Junior Warden of
Musicans'
Company, Rev. R. H. Hadden, M. A. Publisher: Novello,
1910.
Vocal:
Part-song (S.A.T.B.), Angelus
(Tuscany), op. 56. (Words from
Tuscan dialect.) First
performance: London, Royal Albert Hall, 8
December 1910. Dedication:
Mrs Charles Stuart-Wortley.
Publisher: Novello, 1909.
Chorus
(S.S.A.A.T.B.), Go Song of Mine, op. 57 (Calvacanti, tr. D. G.
Rossetti). Composed at Careggi in May 1909. First performance:
Hrerford Festival, 9 September 1909, cond. by G. R. Sinclair.
Dedication: Alfred H. Littleon. Publisher: Novello, 1909.
Carol
(S.A.T.B.), Lo! Christ the Lord is born (Shapcott Wensley).
Composed
in 1897. Publisher: Novello, 1909. (See 1897.)
Song, The
Kingsway (C. A. Elgar). Composed 25-27 December
1909. First
performance: London, Alexandra Palace, 15 January
1910. Publisher:
Boosey, 1910
Song, A Child Asleep (E.. B. Browning). Composed
December
1909. Dedication: Anthony Goetz (son of Muriel Foster) 'for
his
mother's singing'. Publisher: Novello, 1910.
Elegy
(S.A.T.B.), They are at rest (Cardinal Newman). First
performance: Royal Mausoleum, on anniversary of Queen
Victoria's
death, 22 January 1910. Publisher: Novello, 1910.
Song-cycle with
orchestra, op. 59, Nos. 3, 5, and 6. (1, 2, and 4
never composed)
(words by Gilbert Parker). Composed December
1909-January 1910. 3. O,
soft was the song; 5. Was it
some golden star?; Twilight. First
performance: London,
Queen's Hall, 24 January 1910. Jaeger Memorial
Concert. Muriel
Foster (mezzo-soprano) and orchestra cond. by E. E.
Publisher:
Novello, 1910.
Song with pianoforte, The
Torch, op. 60, No. 1 (Words by E. E.
under pseudonym 'Pietro
d'Alba'.) Comopsed 23 December 1909,
orchestrated 26 July 1912. First
performance: Hereford Festival,
11 September 1912. Muriel Foster
(contralto), cond. by Dr G. R.
Sibclair. Dedication: Yvonne.
Publisher: Novello, 1910. (See also
1910.)
1910年
Orchestral:
Concerto in B minor for violin and
orchestra, op. 61. Composed
between April 1909 and August 1910. First
performance:
London, Queen's Hall, Philharmonic Society concert,
10
November 1910, Fritz Kreisler and orchestra cond. by E.
E.
Dedication: Fritz Kreisler. On the score is inscribed a quotation
in
Spanish: 'Aqui esta encerrada el alma de . . . . . (1910).'
Publisher:
Novello, 1910.
Romance for basson and
orchestra, op. 62. Composed 1901-10.
First performance: Herefordshire
Orchestarl Society, 16 Feburary
1911. Edwin F. James (bassoon), cond.
by E. E. Dedication: Edwin
F. James. Publisher: Novello, 1910. (Also
for basson and
pianoforte and for cello and pianoforte, both arr. E.
E.)
Vocal:
Song with pianoforte or orchestra, The
River, op. 60, No. 2.
(Words by E. E. under pseudonym 'Pietro
d'Alba'.) Composed 18
Feburary 1910 orchestrated July 1912. First
performance:
Hereford Festival, 11 September 1912. Muriel Foster
(contralto),
cond. by Dr G. R. Sinclair. Publisher: Novello, 1910.
(See also
1909.)
1911年
Arrangements:
J. S. Bach, St Matthew Passion. Two chorales, arr. for three
Trumpets, four horns, three trombones, tuba. First pefromance:
Worcester Cathedral (from the tower), Three Choirs Festival, 14
Seotember 1911.
J. S. Bach, St Matthew Passion. Performing
edition, with Ivor
Atkins. Publisher: Novello, 1911.
Orchesral:
Symphony No. 2 in E flat major, op. 63.
Composed between 1903
and February 1911. First performance: London
Music Festival,
Queen's Hall, 24 May 1911, Queen's Hall Orchestra,
cond. by
E. E. Dedication: to the memory of His Late Majesty
King
Edword Ⅶ. Publisher: Novello, 1911.
Coronation
March, op 65. Parts of Rabelais ballet (1903)
incorporated.
First performance: Westminster Abbey, Coronation
of King George Ⅴ, 22
June 1911. Publisher: Novello,
1911.
The Queen, for
chorus and orchestra. Substitute No. 2 of Cronation
Ode
(1902), when Ode was revived for Coronation of King George Ⅴ.
Publisher: Novello, 1911.
1912年
Choral and
vocal:
Ode, The Music Makers (O'Shaughnessy), for contralto
or
mezzosoprano, chorus, and orchestra, op 69. Work in progress
from
1912, completed 21 August 1912. First performance:
Birmingham
Festival, 1 Octorber 1912, Muriel Foster, cond. by E. E.
First
London performance: Royal Albert Hall, 28 November
1912,
Muriel Foster, Royal Choral Society and orchestra, cond.
by
Sir Frederic Bridge. Dedication: My friend Nicolas
Kilurn.
Publisher: Novello, 1912.
Anthem (S.S.A.A.T.B. and
organ), Great is the Lord (Psalm 48),
op. 67 Composed between
August 1910 and March 1912. First
performance: Westminster Abbey cond.
by Sir Frederic bridge,
16 July 1912. Dedication: Very Rev. J.
Armitade Robinson, D. D.,
Dean of Wells. Publisher: Novello, 1912.
Orchestral accompaniment
1913.
Cantique, op. 3,
arrenged for small orchestra. First performance of
this verision:
London, Royal Albert Hall, 15 December 1912.
Dedication: Hugh Blair.
Publisher: Novello, 1913. (See 1879,
Intermezzos.)
Dramatic:
Msque, The Crown of India (Henry Hamilton),
for contralto and
bass soloists, chorus, snd orchestra, op. 66.
Sketches from 1902 to
1912 used in composition. 1. (a) Introduction,
(b) Sacred Measure;
2. Dance of Nautch Girls; 3. Hail, Immemorial Ind;
4. Marchi of
Mogul Emperors; 5. Entrance of John Company; 6. Rule
of
England; 7. Interlude; 8. Warriors' Dance; 9. Cities of India:
10.
Crown of India March; 11. Croeing of Delhi; 12. Ave
Imperator. First perforamce: London Coliseum, 11 March 1912.
Marion
Bealey, Harry Dearth, and cond. by E. E. Suite from Crown
of
India (comprising Nos. 1(a), 2, 5, 8, Intremezzo, 4)
first pesrfomed
Hereford Festival, 11 September 1912, L. S. O., cond.
by E. E.
Publisher: Enoch, 1912.
1913年
Orchestral:
Carissma, for small orchestra. First
performance: Gramophone
Co. recording at Hayes, Middlesex, cond. by E.
E., 21 January
1914. First public performance: London, Royal Albert
Hall, 15
February 1914, cond. by Landon Ronald. Dedication:
Winifred
Stephens (sister of Muriel Foster). Publisher: Elkin,
1914.
Symphonic Study, Falstaff, in C minor, with two
inteludes,
op. 68. Early sketches dated 1902, completed 5 Agust 1913.
First
performance: Leeds Festival, 1 Octorber 1913, cond. by E. E.
First
London performance: Queen's Hall, 3 November 1913, cond.
by
Landon Ronald. Dedication: Landon Ronald. Publisher:
Novello,
1913.
1914年
Orchestral:
Sospiri for strings, harp, and organ, also for violin and
pianoforte,
op. 70. First performance: London Queen's Hall, 15
August
1914, cond. by Sir Henry J. Wood. Didection: W. H.
Reed.
Publisher: Breitkopf and Hartel, 1914.
Carillon, op. 75, recitation with orhcestra (E. Cammaerts).
Composed November 1914. first performance: London, Queen's
Hall, 7
December 1914, Tita Brand (speaker), cond. by E. E.
Publisher: Elkin,
1914.
Vocal:
Harvest anthem (S.A.T.B.), Fear not, O
Land (Joel ⅱ, ⅴⅴ. 21-24, 26).
Publisher: Novello, 1914.
Anthem, Give Unto the Lord (Psalm 29), for (S.A.T.B.), organ,
and
orchestra, op. 74. First performance: London, St Paul's
Cathedral,
Festival of the songs of Clergy, 30 April 1914. Dedication:
Sir
George Martin, M. V. O., Mus. D. Publisher: Novello,
1914.
Part-song (S.A.T.B.), The Birthright (G. A. Stocks), with
bugles
and drums ad lib. Publisher: Novello, 1914.
Follow the Colours, adapted for solo and optional male chorus
from
Marshing Song (See 1908). First performance: London,
Royal
Albert Hall, 10 Octorber 1914. Publisher: Novello,
1914.
Song, Arabian Serenade (Margery Lawrence). Publisher:
Boosey,
1914.
Song, Chariots of the Lord (John
Brownlie). First performance:
London, Royal Albert Hall, 28 June 1914.
Publisher: Boosey,
1914.
Song, The Merry-go-round
* (Florence C. Fox). Composed c. 1914.
Published in
The Progressive Music Series (U. S. A.) between 1914 and
1920
by Silver Burdett Co., Morristown, New Jersey.
Song, The Brook
* (Ellen Soule). Composed c. 1914. Published in
The
Progressive Music Series (U. S. A.) between 1914 and 1920.
Choral Song (S.A.T.B), The Windlass * (Willam
Allingham).
(U. S. A.) between 1914 and 1920.
*
(Copies of these 'lost' songs may be seen at Elage's Birthplace.)
Two choral songs (S.A.T.B.), op. 71. No. 1, The Shower
(Henry
Vaughan), Dedication: Miss Frances Smart, Malvern; No. 2,
The
Fountain (Henry Vaughan), Dedication: W. Mann
Dyson,
Worcester, No. 1 'at Mill Hill', No. 2 'at Totteridge'.
Both
sketched in 1913. Publisher: Novello, 1914.
Choral song
(S.A.T.B.), Death on the Hills, op. 72 (Maikov, tr. Rosa
Newmarch). Composed January 1914. Dedication: Lady Colvin.
Publisher:
Novello, 1914.
Two choral songs (S.A.T.B.), op. 73. No. 1,
Love's Tempest (Mikov, tr.
Rosa Newmarch), Dedication: C.
Sanford Terry; No. 2, Serenade
(Minski, tr. Rosa Newmarch),
Dedication: Percy C. Hull.
Composed January 1914. Publisher: Novello,
1914.
1915年
Choral and vocal:
The Spirit of
England, op. 80 (See 1916.)
Dramatic:
Incidental
Music for The Starlight Experss, op. 78 (play by Violet
Pearn
based on story A Prisoner in Fairyland by Algernon
Blackwood).
Orchestral entr'actes and songs for soprano and
baritone soloists:
Baritone: 'To the children', 'The Blue-Eyes
Fairly', 'Curfew Song
(Orion)', 'Night Winds', 'My Old Tunes',
'They're all soft-shiny now'
and (duet) 'Hearts must be soft-shiny
dressed'; Soprano: 'I'm
everywhere', 'Oh stars, shine brigthly',
'We shall meet the morning
spiders', 'Dandelions, Daffodils',
'Laugh a little ev'ry day', 'Oh,
think beauty', and (duet) 'Hearts
must be soft-shiny derssed'. First
performance: London,
Kingsway THeatre, 29 December 1915, Clytie Hine
(soprano),
Charles Motto (bass), cond. by Julius Harrison. Publisher:
'To the
Children', 'The Blue-Eyes Fairly' and 'My Old Tunes',
Elkin
1916. Items from The Wand of Youth Suites Nos. 1 and 2
(See 1907
and 1908) were incorporated into this score.
Orchestral:
Symphonic Prelude Polonia, op. 76. First
performance: London,
Queen's Hall, Polish Victims' Relief Found
Concert, 6 July 1915,
cond. by E. E. Dedication: I. J. Paderewski.
Publisher: Elkin,
1915.
Une Voix dans le Desert, op.
77, recitation with orhcestra, including
Song, Quand nos bourgenos
se rouvriront, for solo soprano (E.
Cammaerts). First
performance: London, Shaftesbury Theater, 29
January 1916, Carlo Liten
(reciter), Olga Lynn (soprano), cond.
by E. E. (Later performance by
Beecham.) Publisher: Elkin,
1915.
1916年
Choral and
vocal:
The Spirit of England (Laurence Binyon) for Tenor or
soprano solo,
chorus, and orchestra, op. 80. Nos. 2 and 3 composed
1915,
performed separately 1916; No. 1 completed 1917. 1. The
Fourth
of August. First performance: Birmingham, 4 Octorber
1917,
Rosina Buckman (soprano), cond. by Appleby Matthews; 2.
To
Woman. First performance: Leeds Choral Union, 3 May 1916,
John Booth (tenor), cond by E. E.; 3. For the Fallen. First
performance: Leeds Choral Union, 3 May 1916, Anges Nicholls
(soprano),
cond. by E. E. First performance of 2 and 3,
Queen's Hall, 8 May 1916,
Anges Nicholls (soprano). First
performance of complete work: London,
Royal Albert Hall, 24
November 1917, Agnes Nicholls (soprano), cond.
by E. E.
Dedication: To the memory of our glorious men, with a
special
thought of the Worcesters. Publisher: Novello, 1917.
Orchestral:
Le drapeau belge, op. 79, recitation with
orchestra (E. Cammaerts).
First performance: London, Queen's Hall, 14
April 1917, Carlo
Liten (reciter), cond. by Hamilton Harty. Publisher:
Elkin, 1916.
Song, Fight for Right (W. Morris). Dedication:
Members of the
Fight for Right Movement. First performance: London,
Queen's
Hall, March 1916, Gervase Elwes (tenor). Publisher: Elkin,
1916.
1917年
Dramatic:
The Sanguine Fan,
Ballet (based on a Fan by Charles Conder),
op. 81. First performance:
London Chelsea Palace Theater, 20
March 1917, as part of revue
Chalsea on Tiptoe. Ballet arranged by
Mrs Christopher Lowther,
cond. by E. E.
Extract, Echo's Dance, for pianoforte, published
by Elkin, 1917.
Vocal:
The Fringes of the Fleet
(R. Kipling), four songs for four baritones
and orchestra. 1. The
Lowestoft Boat; 2. Fate's Dicscourtesy: 3.
Submanrines; 4. The
Sweepers. First performance: London
Coliseum, 11 June 1917, Chales
Motto, Harry Barratt, Frederick
Henry, Frederich Stewart, cond. by E.
E. Dedication: Admiral
Load Beresford. Publisher: Enoch,
1917.
Inside the Bar (Gilbert Parker), song for four baritones
unaccompanied.
Added to Fringes of the Fleet and first
performed
London Coliseum, 25 June 1917, by above singers.
Dedication:
The Four Singers. Publisher: Enoch, 1917.
1918年
Chamber music:
Sonata in E minor for
violin and pianoforte, op. 82. Finished 24
December 1918.First
performance: Severn House, 14 Octorber 1918,
W. H. Reed (violin) and
E. E. (pianoforte). First public performance:
London, Aeolian Hall, 21
March 1919, W. H. Reed (violin) and Landon
Ronald (pianofote). (It was
played on 13 March 1919, by Reed and
Anthony Bernard at a British
Music Socitety Meeting.) Dedication:
Marie Joshua. Publisher: Novello,
1918.
String Quartet in E minor, op. 83. Finished 15 September
1918.
First perfornamce: London, Wigmore Hall, 21 May 1919,
Albert Sammons, W. H. Reed, Raymond Jeremy, Felix Salmond.
Dedication:
The Brodsky Quartet. Publisher: Novello, 1918.
Vocal:
Song, Big Steamers (Kipling). Publisher: Teachers' World, 19
June
1918.
1919年
Chanber music:
Quintet in A minor for stringa and pianoforte, op. 84.
Comoposed
between 15 September 1918 andJanuary 1919. First
performance:
Severn House, 7 Janary 1919, W. H. Reed, Albert Sammons,
Raymond Jeremy, and Feix Salmond. First public performance:
London, Wigmore Hall, 21 May 1919, Albert Sammons, W. H. Reed,
Raymond
Jeremy, Felix Salmond, William Murdoch (pianoforte)
Didection: Ernest
Newman, Publisher: Novello, 1919.
Orchestral:
Concerto
in E minor for cello and orchastra, op. 85. First performance:
London,
Queen's Hall, 27 Octorber 1919, Felix Salmond,
and L. S. O., cond. by
E. E. Dedication: Sidney and Frances Colvin.
Publisher: Novello,
1919
1920年
1921年
Transcription:
J. S.
Bach, Fugue in C minor [Elgar op. 86]. Completed 24 April
1921.
First perfprmance: London Queen's Hall, 27 Octorber 1921,
cond. by
Eugene Goossens. Publisher: Novello, 1921(See also
1922.)
1922年
Transcription:
J. S. Bach, Fantasia in C minor.
Completed June 1922. First
perfprmance: Gloucester Festival, 7
September 1922, L. S. O.,
cond. by E. E. Publisher: Novello, 1922.
(See also 1921)
Parry, Jerusalem, orchestration added. First
performance: Leeds
Festival, 1922.
1923年
Dramatic:
Incudental music to Arthur (Laurence Binyon).
First performance:
London, Old Vic, 12 March 1923, cond. by E. E. (on
first night
only; afterwards by Charles Corri). Unpublished.
Instrumental:
Memorial Chimes for a Carillon. First pefromance:
opening of
Loughborough War Memorial Carillon, 22 July 1923.
Unpublished
Also arr. for organ by E. E.
Transcription:
Handel, Overture in D minor (Chandos
Anthem Ⅱ), transc. for
orchestra. Completed by 27 May 1923. First
perfprmance:
Worcester Festival, 2 September 1923, L. S. O., cond. by
E. E.
Publisher: Novello, 1923.
Battishill, Motet, O
Load, look down from heaven, orchestral
accompaiment. Completed
May 1923. First perfprmance:
Worcester Festival, 6 September
1923.
S. S. Wesley, Motet, Let us lift up our hearts,
orchestral
accompaiment. completed May 1923. First
perfprmance:
Worcester Festival, 6 September 1923.
Vocal:
Part-song (T.T.B.B.), The Wanderer (E. E.,
adapted from Wit and
Drollery, 1661). First peformance:
London, Wigmore Hall, 13
November 1923, the De Reszke Singers.
Publisher: Novello,
1923.
Part-song (T.T.B.B.), Zut, Zut,
Zut (Richard Mardon, pseudonym of
E. E.) First prformance: London
Wigmore Hall, 13 November
1923, the De Reszke Singers. Publisher:
Novello 1923.
1924年
Chamber music:
March for violin, cello, and pianoforte. For the Grafton Family
Unpublished. (It is a sketch for the Empire March.)
Orchestral:
Empire March. First performance: Wembley,
British Empier
Exhibition, 21 July 1924, cond. by Henry Jaxon.
Publisher:
Enpch, 1924. (This march was not played at the opening
ceremony
on 23 Aoril because of 'difficulties in the way of the
Birdage Bands
co-operating etc etc' (Elgar to Lady Stuart, 16 April
1924).
Vocal:
Pageant of Empire (Alfred Noyes),
Eight songs for solo or (S.A.T.B.)
1. Shakespear's Kingdom; 2. The
Islands; 3. The Blue
Mountains; 4. The Heart of Canada; 5. Sailing
Westward; 6.
Merchant Adventuresrs; 7. The Immortal Legions; 8. A Song
of
Union. Nos. 5, 7, and 8 arr. for (S.A.T.B.). First
performance:
Wembley Exhibition, 21July 1924. Publisher: Enoch,
1924.
1925年
Vocal:
Part-song (T.T.B.B.),
The Herald (Alexander Smith). Publisher:
Novello,
1925.
Part-song (T.T.B.B.), The Prince of Sleep (Walter de la
Mare).
Publisher: Elkin, 1925.
1926年
1927年
Instrumental:
Civic Fanfare. Written for mayoral
procession, opening of
Hereford Festival, 4 September 1927. L. S. O.,
cond. by E. E.
Dedication: Percy C. Hull. Unpublished.
Obbligato for carllion to go with tune of Land of Hope and
Glory,
composed for diamond jubilee of Canadian confederation.
Played
by bells of Ottawa Peace Carllion to accompany massed
choir
cond. by Cyril J. Rickwood, Ottawa, 1 July 1927.
1928年
Dramatic:
Incidental music to Beau Brummel
(B. P. Matthews). First
Performance: Birmingham, Theatre Royal, 5
November 1928,
cond. by E. E. Unpublished, with exception of
Minuet, Elkin,
1929.
Vocal:
Carol
(S.A.T.B.), I sing the birth (B. Jonso). Completed 30 Octorber
1928. First performance: London, Royal Albert Hall, Royal
Choral
Society, cond. by Dr Malcolm Sargent, 10 December 1928.
Dedication:
Rev. Harcourt B. S. Fowler, Elmley Castle, worcs.
Publisher: Novello,
1928.
1929年
Arrangement:
Purcell, Motet,
Jehova, quam multi sunt hostes mei, accompaniment
for orchestra.
First performance: Worcester, 10 September 1929.
Vocal:
Carol (S.A.T.B.), Good Morrow (George Gascoigne). 'A simple
carol
for His Majesty's happy recovery.' First performance:
Windsor,
St George's Chapel, 9 December 1929, cond. by E. E.
Publisher:
Novello, 1929.
1930年
Orchestral:
Severn Suite, op. 87, for brass band (scored
by Henry Geehl).
Sketches of 1897 and 1903 were used in this work. 1.
introduction
(Worcestwer Castle); 2. Toccata (Tournament); 3. Fugue
(Cathedral);
4. Minuetto (Commandery); 5. Coda. First
performance:
Crystal Palace Brass Band National Championship
(test-piece), 27
September 1930. Dedication: G. Bernard Show.
Publisher: R.
Smith, 1930. (See also 1932 and 1933.) Fugue composed
1923.
Minuet adapted from Minuet of Harmony Music No. 5 (1879)
and
No. 5 of six Promendes (1878).
Military March,
Pomp and Circumstance, op. 39, No. 5 in C Major.
First performance:
London, Kingaway Hall (H. M. V. recording
session), L. S. O., cond. by
E. E., 18 September 1930. First public
performance: London, Queen's
Hall, 20 September 1930, cond.
by Sir Henry J. Wood. Dedication: Percy
C. Hull. Publisher:
Boosey, 1930. (See also 1901, 1904, and
1907.)
Vocal:
Song, It isnae me (Shally Holmes).
First performance: Dumfries,
Octorber 1930. Joan Elwes (soprano).
Dedication: Joan Elwes.
Publisher: Keithe Prowse, 1931.
1931年
Orchestral:
Nursery Sute. 1. Aubade (uses
Hymn Tune in F of 1878); 2. The
Serious Doll; 3. Busy-ness; 4. The Sad
Doll; 5. The Wagon
Passes; 6. The Merry Doll; 7. Dreaming - Envoy.
First
performance: London, Kingsway Hall, H. M. V. recording
session, 23 May 1931, L. S. O., cond by E. E.; first public
performance: Queen's Hall Promnade Concert, 20 August 1931,
cond. by
E. E.; as a ballet arr. Ninette de Valois, Old Vic, 21 March
1932,
cond. by Constant Lambert. Dedication: Their Royal
Highnesses the
Duchess of York, and the Princesses Elizabeth and
Margaret Roze.
Publisher: Keith Prowse, 1931.
1932年
Instrumental:
Sonatina for pianoforte. Dedication: May
Grafton. Publisher:
Keith Prowse, 1932. Revision (1931) of work
cmposed in 1889.
Adieu for pianoforte. Publisher: Keith Prowse,
1932.
(These works were almost certainly written many years
earlier.)
Orchestal:
Severn Suite, op. 87.
Arrenged for orchestra. First performance:
London, E. M. I., Abbey
Road recording studio, 14 April 1932,
L. S. O., cond. by E. E. First
public performance: Worcester
Festival, 7 September 1932, L. S. O.,
cond by E. E. Publisher:
Keith Prowse, 1932. (See also 1930 and
1933.)
Vocal:
Union song, The Woodland Stream
(Charles Mackay). Composed
1932. First performance: Worcester Shools
Music Festival, 18
May 1933. Dedication: Stephen S. Moore, Worcester.
Publisher:
Keith Prowse, 1933.
Union song, The Rapid
Stream (Charles Mackay). Publisher:
Keith Prowse, 1932.
Union song, When Swallows Fly (Charles Mckay).Publisher:
Keith
Prowse, 1932.
Ode for chorus, So many true princesses who have
gone (Masefield).
First Performance: London, Marlborough House, 9
June 1932, at
unveiling of memorial to Queen Alexandra.
1933年
Transcription:
Chopin, Funeral March from
sonata in B flat minor. First
performance: London, E. M. I. Abbey
Road recording studio,
B. B. C. Symphony Orchestra, cond. by Adrian
Boult, 30 May
1932. First public performance: Londn Queeen's Hall,
25
February 1934, Royal Philharmonic Society memorial concert
to
Elgar. Publisher: Keith Prowse, 1933.
Orchestal:
Mina (Mina was Egar's cairn terrier.) for
small orchestra. Sketched in
1932 for pianoforte. E. M. I. recording
studio, New Light Symphony
Orchestra (Elgar criticised this recording
as being 'too fast' (letter
from Carice Elgar Blake to F. Gaisberg, 15
February 1934) and a
new record was made by the Light Symphony
Orchestra, conducted
by Haydn Wood, and was issued), 8 February 1934.
Dedication:
Fred Gaisberg. Publisher: Keith Powse, 1934.
ＰＲＯＪＥＣＴＥＤ ＷＯＲＫＳ
The following are works which elgar, in his maturitty,
contemplated
writing. Some of the sketches remain in the British Library);
others he used
in other works. His plans for a Hardy opera and King
Lear are not included
because no sketches exist.
1892年
The High Tide, cantata for soprano, possibly bass, chorus, and
orchestra, based on 'The High Tide on the Coast of Lincolnshire
(1571)' by Jaan Ingelow. 'Toyed with' in 1893 and 1901 (for 1902
Norwich Festival).
1901年
'Welish Overture' (sketch used in
Introduction and Allegro, 1905).
1903年
Rabelais, a ballet (Gargantua and Pantagruel).
Concert
overture, Cokaigne No. 2.
Fantasia for Strings.
Dedication: Hans (Richter).
1905年
Scene, Callicles (M.
Arnold). For Muriel Foster. Sketches also 1927.
1906年
Oratorio:
The Last Judgement (third part of trilogy).
1907年
In
Memoriam (2 June 1908), 'In memory of a seer.' (This may have
been
a work planned to commemorate Jaeger, whose death was by
then
inevitable.)
1909年
Tuscan Fantastico in A flat.
Scherzo for pianoforte and orchestra.
Opera in Three
Acts.
Choral Suite, some to words by W. S. Landor. Planned as
1.
Introduction; 2. In a Vineyard; 3. Angelus; 4. Dances; 5. Vintage;
6.
Envoi. No.3 was completed and published as op. 56, No. 1.
1917年
Ozymandias (Shelley).
1930年
Soliloquy for oboe, for Leon Goosens. (Orchestrated 1967 by
Gordon Jacob. First performance: B. B. C. Television, 11 June 1967,
Leon Goosens, cond. by Neils Gorn).
1932-3年
Concerto for
pianoforte and orchestra, op. 90. Sketches worked on
1909, 1914, 1925,
and 1932.
Tarantella (Belloc) for baritone and
orchestra.
Opera in two Acts, The Spanish Lady, op. 89.
(Libretto by Sir Barry
Jackson from Ben Jonson's The Devilis an
Ass.) Sketches incorporate
material dating from 1878. For details
see Elgar O. M. by Dr Percy
Young (London, 1955), pp. 360-75.
Two songs, Modest and Fair and
Still to be Neat, edited
by Percy Young, were published by Elkin in
1955, and a suite for
strings, edited by Dr Young, in 1956.
Symphony No. 3, op. 88.
Fragmentary sketches in British Library,
Some of which were reproduced
in W. H. Reed's Elgar As I Knew Him.
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